In the 1940s, American physicist Edwin Land peered through his camera and snapped a photo of his 3-year-old daughter. The little girl asked why she couldn’t see the picture right away. Back then, all cameras used film, which had to be developed, or treated with chemicals at a lab. His daughter’s impatience inspired Land to invent a faster option: the instant camera. It contained film that developed automatically. For the first time, anyone could watch a photo image appear right before their eyes.
In the 1940s, American physicist Edwin Land looked through his camera. He snapped a photo of his 3-year-old daughter. The little girl asked a question: Why couldn’t she see the picture right away? Back then, all cameras used film. It had to be developed, or treated with chemicals at a lab. Because of his daughter’s question, Land thought up a faster method. He invented the instant camera. Its film developed automatically. For the first time, anyone could watch a photo image appear right before their eyes.
Pressing the button to take a photo opens the shutter, allowing light to enter the camera through the lens. Inside, the light reflects off a mirror and hits the film.
Each film square contains three layers of silver halide crystals. This light-sensitive compound is made of silver (Ag) plus an element from group 17 of the periodic table, such as bromine (Br) or iodine (I). Each layer darkens in response to a specific color of light: blue, green, or red.
The film is ejected from the camera. As it slides out, rollers break open a pod of chemicals in the white band at the bottom of the frame and spread them through the interior layers. One of these chemicals blocks additional light from affecting the film, and another alters the film’s pH, or acidity. That controls the length of time it takes for the film to develop.
In areas where silver halide crystals weren’t exposed to their target color of light during the shutter click, a chemical from the pod makes dyes in the film dissolve. They move upward to become visible at the photo’s surface. Yellow dye is released from the blue-light-sensitive layer, magenta from the green-light-sensitive layer, and cyan (blue-green) from the red-light-sensitive layer. In exposed areas, a developer chemical from the pod sets off reactions that keep the dyes locked in place, so they remain unseen.
The released dyes flow upward toward the film’s surface, and an image starts to appear. Combinations of these dyes create all the colors in the final image, except white. White is supplied by a pigment called titanium dioxide (TiO2), from the pod in the frame.
After several minutes, the film’s pH shifts, halting development. The final image is now ready to share with friends or hang on your wall!